In October 2025 I traveled to the United Kingdom as press delegate representing Palos Verdes Pulse for the 69th BFI London Film Festival (BFI stands for the “British Film Institute”) I’ve attended since the 46th. Main sponsorship has changed over the years and the festival has grown in size and stature. There about 200 films in the line up and the 12 day festival is hugely attended. People still love going to the movies!

I attend what are called “Press & Industry Screenings” and viewed nearly 20 films in 11 days, and walked out of three. Often departing my beloved Milestone Hotel (The M), across from Kensington Palace about 7 am to take the No. 9 bus to Picadilly (West End). Destination is the Picturehouse Central with its seven screens for an 8 am “curtain”. With café and croissant in tow - no popcorn - it’s an early day Attending morning screenings leaves the afternoon open for cultural interests and often another film that’s not in the festival line up. In past years I’ve enjoyed many speakers and forums, afternoon teas with filmmakers, however this year was strictly viewing movies, and some “time out” in the members lounge conversing with other journalists. I’m not interested in “galas” though did attend one premier at the Curzon Mayfair, my favorite venue. The single screen movie theatre is a superb example of “Mid-Century Modern” that is unfortunately destined to close its fate unsure.

My interest in selecting what to view is general audience appeal, nothing scary or “edgy”, and documentary genre. The first film on my agenda was the excellent and evocative feature documentary The Eyes of Ghana. Fascinating and informing about the cinematographer Chris Emmes (now 93) who as a cinematographer chronicled the African leader Kwame Nkrumaj in the 1960s. He was first president of Ghana, the first African nation to gain independence from European colonizers in 1957. The film is so good we have invited it to be programmed in the 23rd LA Harbor International Film Festival (LAHIFF) closing day DocSunday March 8. More about LAHIFF in next PVP issue.

The theatrical Rental Family intrigued and was a joyful surprise. When there is one film that’s great, let alone two or three, it makes the effort as a press delegate meaningful and worthwhile. This year there were six films that impressed. If a film is not up to my “standard” I usually won’t write about it, unless to “warn” the potential audience.

London is “my city” since my first time there en route to school in France. I’ve resided there (in Knightsbridge), traveled throughout the country and spent much time in Scotland. There’s always something new to do or discover. A good friend from my USC days, Sally Corkran Jarrett (aka Corky), and her daughter Bonnie Jarrett, Esq. joined me in London and played “tourist” while I was at screenings. We would then meet up for Victoria & Albert Museum (Marie Antoinette & Cartier exhibits), National Portrait Gallery (Cecil Beaton exhibit), Royal Academy of Arts (always something special to view) and dining in (my) favorite restaurants. Our first dinner in Ivy in Kensington High Street, lovely, delicious, reliable and best Shepherd’s Pie, my “go to place” that’s five minute walk from The M. One evening we ventured to the Globe Theatre to see Shakespeare’s Twelfth Night then late dinner in Arlington. St James (behind The Ritz), formerly LeCaprice launched by premiere restaurateur Jeremy King in his former location (see review his new book at end of article). Adding to my screening roster we made it to Leister Square to see Downtown Abbey: The Grand Finale before our fabulous dinner at elegant Veeraswamy in Regent Street, with Michelin star for traditional Indian cuisine. We also enjoyed Mr. Chow in Knightsbridge that I wrote about earlier this year including the documentary about the famous restaurateur..

We took a day trip celebrating Corky’s birthday to tour and have afternoon tea in Chatsworth House (CH), located in Derby, the middle of England. CH is ancestral home of the Duke of Devonshire and the setting for The Duchess (see the film starring Kiera Knightly). For many years I’ve wanted to visit the palatial estate with its 132 acres of garden. It should be a two to three day trip to enjoy the area, however it can be done in a day – a very long day – and it’s worth the effort. Take the early 8 am train from St. Pancras station to Chesterfield (about two hours +) return on the 6 pm train and back in London by @8pm for dinner.

Films to recommend (some are in general release in the cinema, some available to rent/purchase see IMDB link):

The Eyes of Ghana

(USA, 2025, Breakwater Studios/Higherground Productions, 90 min., dir. Ben Proudfoot)

Feature documentary film directed executive produced by former USA President Barack and his wife Obama follows Chris Hesse, the personal cameraman to revolutionary leaderKwame Nkrumah, the first president of Ghana deposed in a coup d’etat in 1966. Nkrumah was pro United Africa and had huge personality. He designated At The

cinematographer Chris Emme to trail him and film every aspect of his life. Emmes saved over 1,000 rolls of film from Nkrumah's enemies who sought to destroy them, preserved in a vault in London, England.

At now 93 years old Emmes, now a minister, passes archival footage on and a special public screening of footage never seen in public before in a restored “al fresco” movie theatre in Accra, Ghana. The film is a voyage

through Ghanian cinema and portrait of the country with endearing Hesse dedicated to film preservation director Proudfoot and editor’s aesthetics of the film are outstanding, it’s poetic. https://www.imdb.com/title/tt37815334/?ref_=fn_t_1

Rental Family

(Japan/USA, Knockonwood/Domo Arigato Productions/Sight Unseen Pictures, 2025, 110 min., PG13, dir. Hikari)

American actor Phillip Vanderploeg (Brendan Fraser) has lived in Tokyo, Japan for seven years where he’s had moderate success in commercials, yet still trying to attain the role that will take his career to another level. He faithfully goes to auditions, lives a modest life a high rise apartment with view to neighbors that recalls Hitchkock’s intriguing Rear Window (starred James Stewart & Grace Kelly) echoing the vicarious place he’s in as a person and actor. He might not have a broken leg, however his spirit is somewhat broken.

Phillip is sent on “call” (assignment) that turns out to be for a "rental family" agency that provides stand-in roles for strangers at events or “situations” (apparently this really occurs in Japan). When he’s offered a job with the agency he’s reluctant at first, yet needing work gives it a try immersing himself in clients' situations. With humor and pathos he begins to form genuine bonds that blur the lines between performance and reality. The stories are like concentric circles as Phillip confronts the moral complexities and rediscovers himself with purpose; and appreciates the quiet beauty of human connection in a subtle and humble performance. The music punctuates the scenario, not insinuating. The film is revealing of contemporary Japanese life, though bound by centuries of tradition, full of revelations and interpretations. Excellent cast, outstanding debut role for Shannon Mahina Gorman as precocious little girl “Mia”; and another Oscarâ worthy role for Fraser. ( Note: Greatest compliment is when I choose to view a movie again. Recently viewed with some good friends at local Regal cinema in Rolling Hills who were duly impressed. See for yourself!) https://www.imdb.com/title/tt14142060/?ref_=fn_t_1

Calle Malaga

(France, Spain, Germany, Belgium, Morocco; 2025, 116 min., dir. Maryam Touzani)

The film began “slowly” and I almost walked, however felt compelled to linger and it was worth it. Unusual story about lovely aging Spanish lady Maria Angeles Munoz (Carmen Maura) who has a comfortable life in Tangiers, albeit missing her only daughter registered nurse Clara (Marta Etura) who lives in Spain with her family. Maria is happy preparing for visit by her daughter, who she hasn’t seen in a year. As it turns out Clara is getting a divorce; and stressed and financially strapped. She abruptly, and callously, announces to her mother that she is selling the flat her father put in her name and Maria is tacitly stunned and indignant. The story that ensues of one of ingenuity, courage, humor and some romance as Maria reclaims her life. Highlight of BFI London Film Festival

Note: Official submission of Morocco for the 'Best International Feature Film' category of the 98th Academy Awards in 2026. Reminds of last year’s I’m Still Here that was another outstanding international film from Brazil with Oscarâ nods for Best Picture and Actress. No release date in USA, keep eye out at your local bijou, especially if it receives award nod(s). https://www.imdb.com/title/tt32429174/?ref_=fn_t_1

Springsteen: Deliver Me From Nowhere

(USA, Blue Grass Films/Gotham Group, 2025, 119 min., PG13, dir. Scott Cooper)

Chronicles the making of Bruce Springsteen’s (aka “the Boss”) 1982 “Nebraska” album recorded on a 4-track recorder in bedroom of his rented New Jersey home. The album marked a pivotal time in his life creatively and coping with depression. Considered one of his most enduring works the haunting acoustic record echoes lost souls searching for a reason to believe. Jeremy Allen White gives a dynamic, subtle and passionate performance capturing persona and vitality of “the Boss” with his stellar rendition of songs and guitar. His performance feels authentic, not imitative. Based on book by Warren Zane. Springsteen very supportive of the project and the performance. Released in USA October 2025. https://www.imdb.com/title/tt31923069/?ref_=fn_t_1

100 Nights of Hero

(UK, Project Infinity, Erubus Pictures, Picruse Pictures; 2025, 91 min., dir. Julia Jackman)

In an imaginary unnamed kingdom handsome house guest Manfred (Nicholas Galitzine) arrives at the remote castle of his friend Jerome (Amir El-Masry) and upsets the precarious relationship between the neglectful husband and his innocent bride Cherry (Maika Monroe), and her devoted maid Hero (Emma Corrin). Jerome makes pact with

his friend to seduce her though the latter has a change of heart. He leaves her alone for a hundred days to test her fidelity, as she becomes entangled in a love triangle with her loyal maid Hero and Manfred. Quirky, weird, strange,

bizarre characters and costumes, the dynamic of the story is abstruse, however Hero is rather curious and beguiling’ and the actress someone to expect more good work from.

Simultaneous “back story” speaks to considerations of feminist tracts, and what that means are at the core of the story. Film debuted in USA Dec. 5, look for it in your local cinema. https://www.imdb.com/title/tt33350512/?ref_=fn_t_1

The History of Sound

(USA/UK/Sweden/Italy; Film4,End Cue, Fat City; 2025, 128 min., dir. Oliver Hemanus)

Music prodigy from a poor Kentucky farming family Lionel Worthing (Paul Mescal) poor Kentucky farming is able to visualize sound. David Smith (Josh O’Connor) orphaned at 12 years old, has a privileged background under the guardianship of an uncle in England and Newport.

The two meet c.1917 when students at music conservatory in Boston, and discover their shared love of folk music that bonds them. David is drafted to the Great War, and survives. They reunite postwar when David, working as a researcher at a college in Augusta, Maine asks Lionel, who has been back at the family farm to join him on a journey through rural New England and mid-west. collect and record on wax cylinders folk songs. Despite both believing working on this unique musical effort is the happiest each has ever been, what will happen with their relationship after the conclusion of the project with each of them only minimally divulging regarding their hopes and dreams. David urges Lionel to expand and explore and he goes off to Europe and choral work. Lionel does muse about a traditional family life with a wife and children, while David has his own more hidden issues outside of their time together though their communication ceases until Lionel seeks out his friend and former lover. Beautiful cinematography, authentic acting, sensitive portrayals. Released in USA in September 2025. Advisory: Not rated, however sexual situations.

(Note: Mescal is one of most sought after contemporary actors also currently starring in Hamnet; Similarly O’Connor was outstanding in The Durrells in Corfu, watch for both to continue as rising stars). https://www.imdb.com/find/?q=the%20history%20of%20sound&ref_=tt_nv_srb_sm

Love + War

(USA/UK, Little Monster Films, Nat’l Geographic Documentary Films; 2025, 95 min., dir. Jimmy Chin & Elizabeth Chai Vasarhelyi)

Oscarâ winning filmmakers follow photographer Lynsey Addario at the front in the Ukraine war while reflecting on her Pulitzer-winning career and dual life of professional photo-journalist, and wife/mother. It was to attend the film’s premiere at Curzon Mayfair - premiere mid-century modern movie theatre - Mayfair, London. Producer and Lynsey Addario were there and yours truly offered question and comment. No broadcast date noted. Might be something at IMDB; and heck local listings. https://www.imdb.com/title/tt37815958/?ref_=fn_t_1

More about:

BFI London Film Festival https://filmlondon.org.uk/events/bfi-london-film-festival-2025

The Milestone Hotel https://milestonehotel.com/

Chatsworth House https://www.chatsworth.org/visit-chatsworth/

The Duchess (UK/2008) https://www.imdb.com/title/tt0864761/?ref_=nm_flmg_job_1_accord_2_cdt_t_31

Royal Academy of Arts https://www.royalacademy.org.uk/

Victoria & Albert Museum https://www.vam.ac.uk/

National Portrait Gallery https://www.npg.org.uk/

Dining:

Ivy https://ivycollection.com/restaurants-near-me/the-ivy-london/the-ivy-kensington-brasserie/

Veeraswamy https://www.veeraswamy.com/

Mr. Chow https://www.mrchow.com/location/london/

Arlington https://www.arlington.london/

Special note: Here’s my succinct review:

Without Reservation: A Life In Restaurants by Jeremy King (Fourth Estate, London; 2025, 278 pp)

Good read and would be perfect gift for epicurean inclined

https://www.amazon.com/Without-Reservation-Lessons-Life-Restaurants/dp/0008599025

Without Reservation: A Life In Restaurants

For “Foodies” and Philosophers

By Stephanie Mardesich

One of the world’s leading restaurateurs Jeremy King shares experiences building a distinguished 40-year career with insight, wit and wisdom; and analogies to some of life’s most intriguing issues.

Actor Stephen Fry finds the tome ''Wildly, warmly and wonderfully readable and revealing.'' Popular chef and television cooking show presenter Jamie Oliver proffers “A true masterpiece that leaves you hungry for more''

Jeremy King has been at the forefront of London’s dining scene for decades, hosting “royals” like Diana Princess of Wales, pop music stars such as Mick Jagger, artists including Andy Warhol and actors and authors Laurence Olivier and Harold Pinter and more humble diners always warmly welcomed.

With business partner Chris Corbin he opened the most iconic and era-defining restaurants, including Le Caprice in the 80s, The Ivy in the 90s, The Wolseley in the 2000s, and recently Arlington (at the site of LeCaprice), The Park and is re-opening Simpson’s In The Strand.

The book reveals his life in hospitality and how he arrived there. The entertaining memoir offers insightful anecdotes and advice. Owing to the inquisitive intimacy between restaurateur , staff and guests, Jeremy has witnessed countless heartbreaks, failures, challenges and celebrations. His advice has been sought widely over the years, and here he gives a series of valuable reflections on everything from the art of a quick ‘no thanks’ to trickier dispute resolution.

As he infers restaurants are microcosms of life, and the skills attained hospitality including communication, empathy and discipline can be profoundly beneficial in all aspects of life, for everyone. King comments on the mystery of solo diners, misperceptions about which are the best tables and why one should always look a waiter in the eye.

Alongside the secrets of his unique experience, he shares memories of special guests who were also friends like artist Lucian Freud, play write Pinter and his wife author Antonia Fraser, and actress Lauren Bacall.

The book is less about cuisine and gastronomic sentiment than about the philosophy behind the epitome of hospitality, an inviting and engaging space to enjoy good food and drink, and the reciprocity of good service and appreciation of customers and staff.

I’ve had the pleasure of being acquainted with Jeremy since c. 1986 when I moved to London and Le Caprice was my “go to place” be it sitting at the bar for Sunday brunch on my own (the restaurant introduced London to the concept of “brunch” with a Bloody Mary enjoying Eggs Benedict and the Sunday Times, or dining with friends and colleagues in the inviting space.

King’s career continues to soar guided with integrity, authenticity and impeccable good taste.

Bon appetit and good reading!

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Stephanie Mardesich, a native of San Pedro from a family who arrived in the harbor area over 100 years ago. An alumna of U.S.C. School of Cinematic Arts; founder-director of the LA Harbor International Film Festival; credited journalist and public relations consultant, she launched "Cinema Stephanie" film critique blogette in 2017. More recently, she created "Eclectic Culture" lifestyle stories and reviews blog. She is also co-producer with Jack Baric (S.P. native and R.P.V. resident) of the oral history project Stories of Los Angeles Harbor Area: For Yesterday, Today and Tomorrow (SOLAHA) - Volume II debuted in March 2020

At The Movies & More …BFI London Film Festival October 2025 By Cinematic Expert Stephanie Mardesich