Connecting with Clayton - Episode Two By John Clayton

My meeting and TV interview with

PV Legend Elin Vanderlip at Villa Narcissa

“You’d better come soon,” said the amazingly provocative voice on the phone, “Why’s that?” I instantly replied, “Well,” said the silver tongued Lady, “I’m going to be 90 in a few weeks and,” – dramatic pause - “I’m not sure how long I’ll be here.” The challenging, even tantalizing statements came from PV Icon – I’d go so far as to say - LEGEND, Elin Vanderlip.

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CRYSTAL COVE – HOLLYWOOD TO THE SOUTH (A Forgotten Hollywood Essay) by MANNY PACHECO

Even during a global pandemic, there are places to visit to escape the fears of a virus and the humdrum of a lockdown. I know a vista not far from Palos Verdes and South Bay; a beautiful drive along the coast through Orange County. Crystal Cove is a beach community that has quite a Hollywood legacy. The locale is a stretch of coastal cliffs and a beachfront cove situated between Pacific Coast Highway, just north of Laguna Beach

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The Legacy Will Live...The Vanderlip Vision Endures

As has been widely reported the Vanderlip estate created by Frank Vanderlip over 100 years ago recently sold to a new anonymous owner which we know nothing about except for their good taste in Palos Verdes Peninsula property.

While www.palosverdespulse.com is a luxury lifestyle media brand and not officially a gossip site we do have some tidbits to share from real estate agents Steve Lampe and Brok Butcher who represent the new Vanderlip estate buyer and meet with code of secrecy.

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Chef Christine's Culinary Column-August 2020

For those of you who watch cooking shows, it's always fun to see when a Chef makes a mistake, as known as an "Oops"! (I don't say "Oops"- I usually swear. My sister Louise always admonished me and said, "Christine, please don't use "vowel (foul) words". I remember, as a child, fondly watching Julia Child's television cooking programs with my mom, Pat Brown, and remarking that Mrs. Child unabashedly continued with her presentations without skipping a beat after an "Oops".

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KNOWING EDDIE: The recent passing of a television icon leaves one local writer grateful he had the opportunity to know him. By Christopher J. Lynch

It’s ironic that the impetus for writing the biography of the late Ken Osmond (Eddie Haskell from Leave it to Beaver) was triggered by the death of another cast member from the show. In April 2013, Frank Banks (Lumpy) passed away. After watching the story trend for several days, I realized that there was still a great interest in the show and the characters. But I also noticed that Ken Osmond, as the memorable and conniving Eddie Haskell, did not have a biography penned.

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LifestyleDr. Liz Musil
The Enduring Magic and Wisdom of Oz By Greg Levonian

There’s no place like Oz. For 120 years, countless readers have been enchanted by Lyman Frank Baum’s The Wonderful Wizard of Oz (1900), as well as thirteen subsequent Oz tales, which concluded with the posthumously published Glinda of Oz in 1920. The 1939 film version is regarded as the most viewed cinematic work in history, and the immense popularity of the musical “Wicked” also speaks to Baum’s universal appeal.

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Vincent Thomas Bridge- Spanning Los Angeles’ Past and Future By Steve Tabor

The City of San Pedro and Terminal Island are forever linked in Los Angeles’ maritime history. However, it was not until 1870 when private ferry service provided service between the two locations. In 1941 the Municipal Ferry Service provided regularly scheduled services for passengers and vehicles between Terminal Island and San Pedro aboard its double decked ferries, “Islander” and “Ace. In November 1963, ferry services were ceased when the Vincent Thomas Bridge was opened.

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Elizabeth Taylor & Cleopatra - Scandalous Beauties By Karie Bible

When Elizabeth Taylor was first approached to play the title role in the remake of “Cleopatra” she is said to have replied “I’ll do it for a million dollars”. Twentieth Century Fox called her bluff and agreed. Her third husband producer Mike Todd taught her to drive a hard bargain. She also demanded and received a $3,000 per week living allowance, $50,000 per week if the film ran past the production schedule, 10% of the film’s profits and she wanted the epic filmed overseas. Taylor could back up her demands with results. She had been a top star at MGM, a major box office draw and took home her first Academy Award for the 1960 drama “Butterfield 8”.

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